Daniel Chyi 戚钊

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Daniel Chyi 戚钊

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Chinese Tradition

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The horse bench (马儿板凳) — a small, handcrafted wooden bench shaped like a miniature horse — is a charming staple of traditional Chinese furniture. Once common in rural households across China, these benches were used by children, elders, or even in farming communities for resting, working, or socialising. Now, this humble piece of heritage furniture is finding new relevance in New Zealand's interior design and antique appreciation communities.

In Aotearoa, where craftsmanship, sustainability, and cultural fusion are highly valued, the 马儿板凳 is increasingly viewed as a functional art piece. Whether placed in a minimalist Wellington loft, a rustic Queenstown cabin, or as a conversation starter in a boutique Auckland design store, the bench bridges cultures and eras with its simple elegance and cultural storytelling.

New Zealand collectors, stylists, and even early childhood educators are showing interest in such heirloom objects that reflect slower living, storytelling through design, and multicultural appreciation. With New Zealand’s growing connections to Asian cultures through migration, education, and travel, the horse bench is part of a broader movement toward decor that’s meaningful, handmade, and rooted in tradition.

As Kiwis increasingly seek unique furniture pieces that carry depth and cultural legacy, the 马儿板凳 is no longer just a bench — it's a symbol of cross-cultural respect, historic preservation, and timeless design sensibility.

Hashtags:
#horsebenchnz #traditionalfurniturenz #chinesecraftnz #sustainabledesignnz #culturaldecornz #chineseheritagenz #handmadefurniturenz #interiordesignnz #eastmeetswestnz #timelesscraftnz

Chinese Tradition

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Step into the vivid world of Woodblock New Year Prints (木版年画) — a traditional Chinese folk art once used to celebrate the Lunar New Year with colour, luck, and meaning. These hand-carved, brightly printed works were not just art; they were symbols of protection, prosperity, and storytelling, passed down through generations.

Now, in New Zealand’s multicultural and artistic landscape, this ancient practice is being reinterpreted by Kiwi artists, educators, and cultural communities. From printmaking studios in Wellington to Lunar New Year festivals in Auckland and Christchurch, woodblock New Year prints are making a comeback — not just as beautiful décor, but as a deeply symbolic cross-cultural dialogue.

With rising interest in heritage art, slow print techniques, and East Asian aesthetics, Aotearoa is embracing 木版年画 in ways both traditional and modern. They’re being used in:

Art exhibitions and gallery installations exploring identity and diaspora

School and university programs teaching cultural literacy through hands-on printmaking

Local design markets showcasing sustainable, hand-crafted giftware

Collaborations between Māori and Chinese artists focused on whakapapa and pattern-based storytelling

This resurgence is more than nostalgic — it’s a statement. A statement that even in a digital world, people still crave human touch, cultural richness, and ritual connection.

Hashtags:
#woodblockprintnz #chinesenewyearnz #lunarnewyearartnz #heritagecraftnz #culturalartnz #multiculturalnz #printmakingnz #folkartnz #nzasianart #slowartnz #traditionalprintnz

Daniel Chyi 戚钊

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L'Artista Italiano

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Grafica (C) 2025 Mirko Persico

Autore: Mirko Persico
Compositore: Mirko Persico

Interprete: Mirko Persico
Esecutore: Mirko Persico

Registrato nel mese di Novembre 2019 presso il Folinello.

(P) 2019 Mirko Persico (C) Mirko Persico

Codice ISRC della traccia: ITJID2500108
Codice ISWC dell'opera: T-336.006.233-1

Prodotto in Italia