Woodart Vietnam Carving Dragonball Z and Marvel Out of Wood Humanity

#woodart #vietnam #humanity

What wiki says

Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.

The making of sculpture in wood has been extremely widely practised, but doesn't survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures.[1] Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and other regions. Wood is light and can take very fine detail so it is highly suitable for masks and other sculpture intended to be worn or carried. It is also much easier to work on than stone.

Some of the finest extant examples of early European wood carving are from the Middle Ages in Germany, Russia, Italy and France, where the typical themes of that era were Christian iconography. In England, many complete examples remain from the 16th and 17th century, where oak was the preferred medium.

The oldest wood carved sculpture, the Shigir Idol carved from larch, is around 12,000 years old.


Basic tool set Edit
the carving knife: a specialized knife used to pare, cut, and smooth wood.
the gouge: a tool with a curved cutting edge used in a variety of forms and sizes for carving hollows, rounds and sweeping curves.[2]
the coping saw: a small saw that is used to cut off chunks of wood at once.
the chisel: large and small, whose straight cutting edge is used for lines and cleaning up flat surfaces.[2]
the V-tool: used for parting, and in certain classes of flat work for emphasizing lines.
the U-Gauge: a specialized deep gouge with a U-shaped cutting edge.
sharpening equipment, such as various stones and a strop: necessary for maintaining edges.
A special screw for fixing work to the workbench, and a mallet, complete the carvers kit, though other tools, both specialized and adapted, are often used, such as a router for bringing grounds to a uniform level, bent gouges and bent chisels for cutting hollows too deep for the ordinary tool.

Wood carving process Edit
Selection Edit
The nature of the wood being carved limits the scope of the carver in that wood is not equally strong in all directions: it is an anisotropic material. The direction in which wood is strongest is called "grain" (grain may be straight, interlocked, wavy or fiddleback, etc.). It is smart to arrange the more delicate parts of a design along the grain instead of across it.[2] Often, however, a "line of best fit" is instead employed, since a design may have multiple weak points in different directions, or orientation of these along the grain would necessitate carving detail on end grain, (which is considerably more difficult). Carving blanks are also sometimes assembled, as with carousel horses, out of many smaller boards, and in this way, one can orient different areas of a carving in the most logical way, both for the carving process and for durability. Less commonly, this same principle is used in solid pieces of wood, where the fork of two branches is utilized for its divergent grain, or a branch off of a larger log is carved into a beak (this was the technique employed for traditional Welsh shepherd's crooks, and some Native American adze handles). The failure to appreciate these primary rules may constantly be seen in damaged work, when it will be noticed that, whereas tendrils, tips of birds beaks, etc., arranged across the grain have been broken away, similar details designed more in harmony with the growth of the wood and not too deeply undercut remain intact.[2]

Probably the two most common woods used for carving[4] in North America are basswood (aka tilia or lime) and tupelo; both are hardwoods that are relatively easy to work with. Chestnut, butternut, oak, American walnut, mahogany and teak are also very good woods; while for fine work Italian walnut, sycamore maple, apple, pear, box or plum, are usually chosen.[2] Decoration that is to be painted and of not too delicate a nature is often carved in pine,[2] which is relatively soft and inexpensive.