In 1888, a penniless Dutchman, who would in a few months be committed to an asylum and be dead within two years, sat down in the eastern corner of the Place du Forum in Arles and set to work on one of the most astonishing and beloved paintings ever made. The story is so familiar that we are apt to lose sight of its ongoing relevance and universal import…

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“In mid-September 1888, a penniless Dutchman, who would in a few months be committed to an asylum and be dead within two years, sat down in the eastern corner of the Place du Forum in Arles and set to work on one of the most astonishing and beloved paintings ever made. ‘Café Terrace at Night’ juxtaposes our snug night time rituals under our defiant man-made lamps with the ultimate mysteries and sublimity of the cosmos.

And yet, as we know, Van Gogh found no buyers for his masterpiece; no museum came begging, no gallery gave a damn. His work appeared wholly worthless to his entire era. He could barely afford lunch or a new pair of shoes. The local children mocked him. Rarely has a more despised or marginal figure walked the earth…”

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CREDITS

Produced in collaboration with:

Natalia Beigaj
https://www.nb-animation.com/

Title animation produced in collaboration with

Vale Productions
https://www.valeproductions.co.uk/